Pooms, chicky.

I feel like I've made some interesting observations, but they're not so connected to each other, and I'm just going to shove them out there.

1. "It was a lean Jewish face, with a great fuzzy aureole of white hair and a small goatee beard--a clever face, and yet somehow inherently despicable, with a kind of senile silliness in the long thin nose near the end of which a pair of spectacles was perched. It resembled the face of a sheep, and the voice, too, had a sheeplike quality." If there were a third Dumbledore brother, that would be this Goldstein character, I think. He's got Albus' spectacles and silliness and nose and Aberforth's goatee and... livestockishness. Observe:

Photo size symmetry fail, but you get the picture.

2. "There was no reproach either in their faces or in their hearts, only the knowledge that they must die in order that he might remain alive, and that was part of the unavoidable order of things." That right there sounds a lot like the principle of double effect, about which we're learning in Morality this very week. To fit those requirements, a situation has to meet these criteria:

1. the nature of the act is itself good, or at least morally neutral;
2. the agent intends the good effect and not the bad either as a means to the good or as an end itself;
3. the good effect outweighs the bad effect in circumstances sufficiently grave to justify causing the bad effect and the agent exercises due diligence to minimize the harm.

3. "'Except--' began Winston doubtfully, and then stopped." "'The proles are not human beings,' he said carelessly." I like George Orwell's style. I really do. But Stephen King would tear it to shreds. “I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.” -- Stephen King, On Writing